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01 - The Cathedral Of Tears
02 - First Light
03 - Midnight Blue
04 - Reflection I
05 - Second Light
06 - A Blessing Of Tears
07 - Returning I
08 - Returning II
When Robert Fripp's mother passed away in 1993, he chose the new age sounds of his soundscape series to serve as a tribute to her.
The liner notes in the CD booklet contain a beautifully written eulogy (by Fripp himself) about the interesting life of his mother Edie. Fripp does an excellent job of conveying his grief in the eight selections that comprise A Blessing of Tears, while his sorrow is evident in some of the tracks' titles ("The Cathedral of Tears," "A Blessing of Tears," etc.).
All of the tracks were recorded live during a week-long U.S. West Coast tour, and it differs from the preceding Soundscapes release, Radiophonics, because its sole purpose is obviously not to test his audience's "listening capabilities."
Fripp has once again successfully put his most personal and heartfelt feelings into his music, the proof being heard throughout the beautiful A Blessing of Tears: 1995 Soundscapes, Vol. 2.
01 - The Cathedral Of Tears
02 - First Light
03 - Midnight Blue
04 - Reflection I
05 - Second Light
06 - A Blessing Of Tears
07 - Returning I
08 - Returning II
When Robert Fripp's mother passed away in 1993, he chose the new age sounds of his soundscape series to serve as a tribute to her.
The liner notes in the CD booklet contain a beautifully written eulogy (by Fripp himself) about the interesting life of his mother Edie. Fripp does an excellent job of conveying his grief in the eight selections that comprise A Blessing of Tears, while his sorrow is evident in some of the tracks' titles ("The Cathedral of Tears," "A Blessing of Tears," etc.).
All of the tracks were recorded live during a week-long U.S. West Coast tour, and it differs from the preceding Soundscapes release, Radiophonics, because its sole purpose is obviously not to test his audience's "listening capabilities."
Fripp has once again successfully put his most personal and heartfelt feelings into his music, the proof being heard throughout the beautiful A Blessing of Tears: 1995 Soundscapes, Vol. 2.
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