Cabaret Voltaire - Outer Limits (76)

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01-Capsules
02-Is That Me
03-The Single
04-Ooraseal
05-Love's In Vein
06-Dream Sequence 1
07-Dream Sequence 2
08-Do The Snake
09-Sunday Night At Biot
10-She Loves Me

Yazoo - You and Me Both

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01. And On
02. Anyone
03. Good Times
04. Mr. Blue
05. Nobody's Diary
06. Ode To Boy
07. Softly Over
08. State Farm
09. Sweet Thing
10. Unmarked
11.Walk Away From Love

Yazoo - Only Yazoo - Best of (99)

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01 - only you
02 - ode to boy
03 - nobody's diary
04 - midnight
05 - goodbye 70's
06 - anyone
07 - don't go
08 - mr blue
09 - tuesday
10 - winter kills
11 - state farm
12 - situation (us 12'' mix)
13 - don't go (todd terry freeze mix)
14 - situation (club 69 future funk mix)
15 - only you (1999 mix)

Wire - A Bell is a Cup Until it is Struck (88)

Parte 1
Parte 2


01.Silk Skin Paws
02.The Finest Drops
03.The Queen Of Ur And The King Of Um
04.Free Falling Divisions
05.It's A Boy
06.Boiling Boy
07.Kidney Bingos
08.Come Back In Two Halves
09.Follow The Locust
10.A Public Place
11.The Queen Of Ur And The King O
12.Pieta
13.Over Theirs Live
14.Drill Live

Public Image Ltd. - Public Image - First Issue (78)

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01 - theme
02 - religion i
03 - religion ii
04 - annalisa
05 - public image
06 - low life
07 - attack
08 - fodderstompf

Eyeless In Gaza - Transience Blues

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01 Lilt of Music
02 Transience Blues
03 Sixth Sense
04 Stealing Autumn
05 Inky blue Sky
06 Evening Music
07 Still Air
08 Sweet Life longer
09 Tell
10 Blue Distance
11 Scent on Evening Air
12 Every which Way
13 Bright Play of Eyes
14 Lights of April
15 Drumming the beating Heart
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An utterly necessary addition to any serious Eyeless in Gaza fan's collection, the 1989 collection Transience Blues collects stray tracks mostly originally released on the flip sides of singles and EPs from 1983 to 1986.

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For most bands, that description would translate to "failed experiments and songs not good enough to make it onto the albums," but during this period of Eyeless in Gaza's career, their B-sides were quite often more interesting than their A-sides.

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Intriguing miniatures like "Lilt of Music" and "Tell" have the same newfound interest in dynamics, melody, and arrangement as the duo's more commercial songs from the era, but they keep the experimental bent and interest in minimalism of their earlier records, making them more rewarding and satisfying than either the skeletal early singles or commercial-minded pop songs like "Back From the Rains.

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" Most importantly, the collection includes the relative rarity "Drumming the Beating Heart," an utterly gorgeous two-minute wonder consisting of nothing more than Martyn Bates' remarkably controlled (for him) lead vocal with the unexpected appearance of a church-like pipe organ along with Peter Becker's angelic harmony just over halfway through.

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It may well be Eyeless in Gaza's finest work, but several other tracks here are nearly as fascinating.

Eyeless In Gaza - Rust Red September

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01 Changing Stations
02 Pearl And Pale
03 New Risen
04 September Hills
05 Taking Steps
06 Only Whispers
07 Leaves Are Dancing
08 No Perfect Stranger
09 Corner Of Dusk
10 Bright Play Of Eyes
11 Stealing Autumn
12 To Steven
13 Sun-like-gold
14 To Elizabeth S.
15 Lilt Of Music
16 Inky Blue Sky
17 Tell

Officially the band's fifth full vinyl release, Rust Red September finds the group further moving away from the brusquer hooks of its earliest days to a calmer reflectiveness.

If anything, the duo also achieved a light, airy pop feeling with this album, slotting it alongside more successful sounds from the U.K. in the mid-'80s without actually breaking through or, on a happier thought, pandering to achieve such success.

Eyeless In Gaza - Fabulous Library

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01 Slow Train
02 Fabulous Library
03 As Far and Deep as Love
04 Be the Teacher
05 Vivid (full-on)
06 She Tries on the Jewels
07 Stone Smile
08 Stormy Weather
09 Feel Like Letting Go
10 Loves a Sometime Thing

Eyeless In Gaza - Drumming the Beating Heart - Pale Hands I Love

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01 Transience Blues
02 Ill Wind Blows
03 One By One
04 Picture The Day
05 Dreaming At Rain
06 Two
07 Veil Like Calm
08 Throw A Shadow
09 Pencil Sketch
10 At Arms Length
11 Lights Of April
12 Before You Go
13 Tall AndWhite Nettles
14 Warm Breath, Soft And Slow
15 Blue Distance
16 Sheer Cliffs
17 Falling Leaf-Fading Flower - Goodbye To Summer
18 Lies Of Love
19 To Ellen
20 Oale Saint
21 Letters To She
22 Light Sliding
23 Big Clipper Ship

Eyeless In Gaza - All Under the Leaves, the Leaves of Life

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1 Monstrous Joy
2 Marionette
3 Struck Like Jacob Marley
4 Morning
5 Fracture Track
6 The Leaves of Life/Seven Virgins
7 Answer Song and Dance
8 Passing and Distant View
9 Damning Yourself Broken
10 Three Ships
11 As Was


Thuddingly pretentious album title aside, 1996's All Under Leaves Leaves of Life proves that Eyeless in Gaza did the right thing in reuniting in the mid-'90s.
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Less a rerun of the duo's older sounds than an interesting new juxtaposition of elements from throughout the first six years of their career, this album features the harsh electronics of the earliest Eyeless in Gaza singles ("Struck Like Jacob Marley" and "Fracture Track" are as noisy as anything they've ever done), the delicate, almost folkish minimalism of their best work ("Morning" and "Damning Yourself Broken," in particular, could be on Rust Red September), and the pop-oriented keyboards of their mid-'80s singles ("Answer Song and Dance," "Passing and Distance View").
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The twin highlights come at the end, with the gorgeous "Three Ships," a minimalist organ piece that recalls Terry Riley's A Rainbow in Curved Air, and "As Was," a lovely acoustic guitar and voice coda to a mysterious, intriguing album.

Bill Nelson - Deep Dream Decoder (98)

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1 Things to Come
2 God Bless Me
3 Rise (Above These Things)
4 Snowing Outside
5 It's All True
6 A Head Full of Lights and a Hat Full of Haloes
7 The Girls I've Loved
8 Amazing Things
9 Deep Dream Decoder
10 Dissolve
11 Year 44 (The Birthday Song)
12 Wing & A Prayer
13 Dreamnoise and Angel
14 Tired Eyes
15 Golden Girl
16 The Spark


Originally released as part of the My Secret Studio box set, Deep Dream Decoder compiles songs composed and recorded between 1988 and 1992 in one or the other of Nelson's home studio set-ups, including the apparently ad-hoc arrangement he calls "tape recorder cottage."

During this four year period, Nelson was undergoing some major life changes, ranging from a legal war with his former manager, divorce from his second wife, and his eventual third marriage.

Rather than falling into a funk and losing the ability to create, Nelson tends to go the opposite direction and create more than ever.

The result is a collection of fully-formed songs, often quite densely arranged, with some splendid guitar work.

Keyboards tend to be utilized for texture (although very Nelsonian textures, it should be said) and vocals get somewhat short shift, as usual - which is a shame, because Nelson has a distinct and interesting voice, and often comes up with fascinating lyrics; here, much of his writing relates to the conditions of his life, and the affirmation of hope for a better tomorrow.

This is definitely an album that should investigated by more than the usual brigade of Nelsonian faithful.

Ultravox – Collection (84)

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1 Dancing With Tears in My Eyes 4:11
2 Hymn
3 The Thin Wall
4 The Voice
5 Vienna
6 Passing Strangers
7 Sleepwalk
8 Reap the Wild Wind
9 All Stood Still
10 Visions in Blue
11 We Came to Dance
12 One Small Day
13 Love's Great Adventure
14 Lament



While Ultravox's commercial success was virtually nonexistent in the U.S., their singles were strewn across the British charts throughout the early half of the '80s.

Led by Midge Ure's haunting but forceful vocal presence, sometimes reminiscent of U2's Bono, Ultravox used the keyboards to guide their sophisticated and intelligent pop style, resulting in some extremely intricate and provocative material.

The Collection gathers the heartiest of Ultravox's repertoire, wisely ignoring any of their late-'70s albums in which John Foxx, the group's founder, inundated his darkened keyboard approach.

Effectively desolate but rich in lyrical poetry and clever melodies, songs like "Vienna," "Reap the Wild Wind," and "The Voice" cast Ure's talents as a singer to the forefront, while livelier efforts, like the frantic forward thrust of "Love's Great Adventure," showcase the group's spirited synthesizer work. "Dancing With Tears in My Eyes" is a moody radio-dance track, and the hovering broodiness of "The Hymn" harbors its own brand of gothic charm.

The Collection completes the task of covering the most crucial of Ultravox's material.